Using his own body as a symbolic field for exploring self, identity, embodiment, and political resistance, Moe Satt is part of a renowned generation of experimental contemporary Burmese artists who overcame government censorship and oppression to engage with conceptual artwork, the body, and identity. His F n’ F (Face and Fingers) series explores a choreographed sequence of hand and facial gestures based on those he observed on the streets of Yangon, illustrating the ways in which people communicate nonverbally with their bodies.
Moe Satt: Tate Acqusition
Using his own body as a symbolic field for exploring self, identity, embodiment, and political resistance, Moe Satt is part of a renowned generation of experimental contemporary Burmese artists who overcame government censorship and oppression to engage with conceptual artwork, the body, and identity. His F n’ F (Face and Fingers) series explores a choreographed sequence of hand and facial gestures based on those he observed on the streets of Yangon, illustrating the ways in which people communicate nonverbally with their bodies.
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